I have a new producer handle for NFT’s and Crypto music. I’m creating and selling #audioNFTs. Many exciting artist collaborations are coming up! Excited to take my music up and over traditional DSPs – see you in the Metaverse.
All music is exclusively on Audius for the time being.
Are you a young Web3 team looking for someone to help with startup advice, product, sales, and marketing? Reach out! Let’s build something great.
I’m a permanent PT employee of Megatrax. I listen to music five to six days a week and get paid for it! I tag production music for search. As I studied film-scoring in college and also produce music to picture, this gig is super cool.
We wound down Viva Data on 12/31/20. We built a music metadata validator that covered the Apple Music Metadata Style Guide. The Orchard paid us to make it and used it for two years. I learned so much about the music metadata niche. You could call it a new career path for me.
I am looking forward to more adventures in the future with product and engineering talent Lucas Gonze.
The Music Never Stops
I’m always recording my music. Excited to share these upcoming releases with music professionals for live-streaming performances and sync opportunities:
I finished a new 5-song EP. I am killing the Sayla Dobro brand and releasing these five songs under the Bully Meow project later this year. Beautiful recording tracked at Tiny Telephone Oakland by Laura Dean on the same NEVE console as Fleetwood Mac’s “Rumors” was recorded. Grace Colemen mixed it at Different Fur, San Francisco. Daniel Guaqueta
I recorded four jazz fusion tunes! Guitar fans should like this release. I recorded two original compositions by Francis Wong of the Jon Jang Orchestra, an original piece of mine called “Random Cycles,” and Wayne Shorter’s “Nefertiti” feature local trumpeter, Will Magid. My good friend Celso Alberti plays drums on all four compositions. East Bay bassist Bryan Dean is taking care of the low end.
Cues galore! Creativity has been high these days as I am inspired by the music I listen to daily in my work. I can write music for small chamber groups and other styles of popular music. I’ve recently been writing a ten-song “scary” album for dramatic or horror tv/film/sync.
I’ve been making some crazy loops, some using AI assistance. I’m getting more and more curious about Beatstars and collaborating with others on music releases.